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days & days

by Michael Gerard

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1.
Trick Tips 02:14
like coin-flips in triptychs am i the only one who's ever felt this way doubt it as you down it... practice on yr fingertips no one ever got rid of the blues that way seize up as you seize the day... try to see through another livelong day convince yourself it doesn't but it matters anyway
2.
all & more 02:28
pin yr hopes to progress and medication 'til there's no difference between the static and the station memories and dried flowers lose their scent the shape is different but it's missing what it meant you almost had it there in yr imagination between the trail of tears and the flood of information history gets twisted 'til it seems it is unreal otherwise in the future it will have no mass appeal so say it all again you'll do it all and more ah yeah it's all been done before except for one last war...
3.
if i could make a mountain it would start just like a pearl, with one grain of hope deep within the belly of the world but i can only chance upon the valleys of the ones who came before, their chants just floating on the surface of the core if i could make a map i'd do it like a tangle would and leave the straight and narrow to those who would think they're good, but i've only my own mistakes to teach me what i should have asked the ones who came before me also walked this crooked path there is not chance but what you want there is no vision only depth perception as they say, you've got it or you don't.
4.
when you're trying to save the world, it can't be helped, you risk ending hung up in traction, purse your lips in concentration, deny annihilation- equal and opposite reaction... you're so beautiful... taking yourself to task every day, just brings you down in tightening circles, speaking your dreams aloud yeah you know you're allowed, we're each entitled to a purpose... you're so beautiful...
5.
moontips 03:27
all the moontips fill the wood ships with frost again busting in, waving handkerchiefs to the end of time lost to land and the halos in the harbor light turn to glass the reflection's a reversal of speed to mass... watch the roots cling to one another like cellophane, see that headache's just a shout of come coal train the decision drags it under paints it grey, and the meters measure units of hell to pay...
6.
can't see 02:10
there used to be a light on in the attic in the day, i hear that late at night it can be seen flickering away, at yesterdays gone by without a word, and how tomorrows come like little birds. they sing me god forsaken songs that get stuck in my ears, 'til i can't hear... i hear there was a bell way down beneath the basement floor and that sometimes it shines, but nobody listens anymore. there's no time for singing songs of liberty, when each night is a new invading army, they overload their silencers and point them straight at me 'til i can't see
7.
this is Venus calling earth so tentative i'm fit to burst each connection forms a word far is not a color of unheard surface to air with no exhaust tired is not the same as taking off these reverberations form a triangle on your back there's no way to refashion this lonesomelessness don't stop where you are darling daughter come home and i promise you a life like you never seen i will be everything i mean i will be what you want me to be i will be everything i mean
8.
9.
regards 03:57
my regards to the boss i will pay for it at any cost the world don't care what gets lost do you? the machine is on fire and the air is on alert the world don't care who gets hurt and do you? do you? 'cause i do.
10.
hard times 03:28
some people ain't good for nothing other people good for too damn much it's all the way the cards get shuffled and whether or not you've got the touch i got a kitten sittin' pretty back at home beggin' like a dog for an old hambone all i got here's this ball of yarn and even that is almost gone your girls gonna' leave you just as soon as she can stand you're darned if she don't and if she do you'll be damned i saw two old ladies sittin' in the sand each one wishing that the other was a man even the undertaker's singin' this sad old song i just had to ask him what was wrong he stuck his shovel in the ground and said "look here son, people these days just living too long" well it's hard times dead or alive you better believe it's true
11.
South 02:49
keep it with you in your mind the red clay and the kudzu vine there's nothing but the fireflies to show me the light that's in your eyes sweet tea by the lake at night a long walk feels like taking flight there's nothing stopping any thought from coming from your mouth the buzz of that time in the pines keep that heat in your heart all the time of all that you learned in the south
12.
Cohen 02:01
sing for the ones who've forgotten how to sing, sing for the light of morning and for the spring, sing for the wicked for they know not what they do, sing so the dreams that they have don't come true, sing sanity for the sake of us all, sing the heat of summer and the calm of fall, sing for winter nights and the pleasure of duets, sing for everyday saints and the common poets, sing for the sound of a single human voice, sing because you're free, and because you have no choice, sing every sorrow that has ever crossed your mind, sing for everything you have had to leave behind, sing every sorry that has ever crossed your lips, sing 'cause you don't feel like it, and just for kicks, sing to rue the day you will never sing again, sing first for the one you love then for everyone else and then sing just to sing yes to sing...
13.
Next In Line 01:59

about

songs written and recorded in 2009-2010

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released December 31, 2010

all songs michael gerard levasseur

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all rights reserved

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Michael Gerard Portland, Oregon

Michael Gerard is a singer-songwriter and instrumentalist living in Portland, Oregon.
He has put out 4 albums and played countless shows under the name Michael the Blind. In 2011, along with his wife and good friends, he put together a backup band called The Moonshine.

After several years of recording and touring with The Moonshine, he has again begun putting together material for a solo album.
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